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Carol
Percy Associate Professor Department of English University of Toronto |
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My research focusses on the social history of the Early Modern English language in the eighteenth century, a critical time in the standardization of English and its dissemination around the world. The social impact of standardization is revealed by recurring patterns and hidden assumptions in sources like newspaper advertisements, book reviews, and grammar books. I'm particularly interested in how the rising status and standardization of English both marginalized and was manipulated by educationally disadvantaged authors like women and sea captains.
How did I end up doing this? As an undergraduate, I studied English (specialist) and Anthropology (Archaeology/major) at University College at the University of Toronto. Only in fourth year did I realize that there was a way of combining the two subjects, when I took George Rigg's undergraduate course in the history of the English language (ENG367Y). After graduation I took my M.A. from our Graduate Department of English, before going to the University of Oxford (Faculty of English Language and Literature, and Lady Margaret Hall). This isn't a route that I'd necessarily recommend, but it's how I got here.
My doctoral dissertation on editorial changes to the language of James Cook's first voyage journal (1990) identified some interesting inconsistencies between the editor's practice and the linguistic precepts that were multiplying in grammar books and book reviews. I subsequently published articles on Cook's language and style, the most recent one charting some conflicts between his activities as a scientist and as a literary author.
My study of linguistic prescriptivism continued with "Paradigms Lost",
an article on Bishop
Lowth's influential grammar of 1762 and "Paradigms for their Sex", an
article on
women's grammars. "The Art of Grammar in the Age of Sensibility"
describes the first grammar of modern English written solely for a
female audience, in 1775.
Now I am writing a book about popular attitudes to and assumptions
about
the English language
in the second half of the eighteenth century. To this end, SSHRC (and the
Mentorship and Work-Study programs at U of T)
supported the research for
a database of linguistic
criticism
in eighteenth-century book reviews (the Monthly Review and the
Critical
Review). Student
research assistants systematically recorded book reviewers'
comments about language, and entered these in a very large database.
Long-haulers on this project included Jessica Bowslaugh, Mary Catherine
Davidson, Emma Gorst, Eliza
Marciniak, Karin Marley, Jen Marston, Bill Moreau, Noreen O'Rinn, Kelly
Quinn,
Rebecca Schwarz, Michelle Syba, Robert Winkler, and other students
from
the Mentorship Program (Amy Boyd, Annamaria Enenajor, Karen Fried, Marcia
Jones, Ruth Kanfer,
Zofia Kumas,
Valerie
Legros, Silvia Odorcic,
David Reevely, Aba Stevens, Peter Tseng, Ashwini
Vasanthakumar), the Research Opportunity Programme (Katherine
Baker-Ross, Debbie Lerech), and the Work-Study Program
(Jesse Archibald-Barber, Andrea Cameron,
Natasha Charles, David Heath, Jaan Lilles, Kara Macaulay). And I'm most
grateful
for the ongoing advice of Philippa Matheson, who designed the database
program, "Ferret".
So far, this project has produced some
articles:
one on
stereotypes of the language of women authors ("Easy women..."), another
on
some implications of using contractions and colloquialisms in the period,
and a paper about the use of Latinate spellings like
honor and explane in eighteenth-century pamphlet wars.
In the pipeline is another essay about reviews of grammar
books in the 1760s, and another, more general essay on spelling
variation in the eighteenth century.
I am also working on a book about English
grammar in eighteenth-century society, and (waiting for the technology to
get easier for me) an on-line
anthology of texts illustrating variation and change
in the early modern and modern English language. I'm very grateful for
the work done towards these projects by Samuel Allemang, Geoffrey Allen,
Rachel Caballero,
Jennifer Cairns, Joyce Chan, Leigh-Anne Coffey, Tonia Djogovic, Kate
Francombe, Katherine
Frankl, Julie Grajales, Christianna Guy, Zeenat Haq, David
Heath, Arden Hegele, Andrew Hope, Malcolm Johnston, Emily Law, Nicole
Lees, Jaan
Lilles, Eliza
Marciniak, Cari Mason, Bianca
Raynor, Mel Rhodes, Brett Rhyno, Yvonne Robertson, Shannon
Robinson, Alexis Sampson, Kathryn Sharaput, Kate Stevenson, Dylan White,
and Christine
Williams.